Showing posts with label conservation. Show all posts
Showing posts with label conservation. Show all posts

Friday, April 12, 2013

Speaking of Art

Wine was poured and conversation about art flowed freely as those who love creative pursuits gathered at
The Cibolo Nature Center, (© Lake/Flato Architects)
the Cibolo Nature Center on Thursday evening. It is hard to beat the beautiful combination of spectacular spring weather, good food and drink, stunning musical ambiance, engaging exchange of thoughts, and compelling art. These were marvelously evident at the special opening of the "Our Hidden Treasures" Art and Conservation project at the Center.

I never tire of hearing what people are thinking and feeling when they experience creative works. And it is equally fascinating to listen to an artist lay out their own process of producing these works. Art is about communication, and communication is, itself, an art to be appreciated.

I look forward to the rest of this weekend as I transition to representing my work in the "Parade of Artists." I love rubbing elbows with fellow artists who have such a desire to express the recesses of their hearts to others. And also I love hearing from those who come out to appreciate these creative efforts.
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Side note: you can read a brief article on me and my work in the April issue of the Boerne Chamber of Commerce newsletter here (check page 23).

Sunday, April 7, 2013

Frenetic Activity

Life sometimes seems in a "neutral gear" mode when to all outside appearances nothing of significance is happening.  Then, suddenly, a flurry of activity is upon you and you wonder if you are going to keep up with it all.

As I have mentioned a few times over the previous months I have been visiting a large and special parcel of land in the Hill Country of Texas with the goal of producing at least one work for the "Arts and Conservation" project of the Cibolo Conservancy. Although I have been wondering how it would all turn out, I am pleased with what finally came about through these efforts. The project happens only once every other year so it is wonderful to be a part of this infrequent event.

The work I have chosen for exhibition in the show is titled "BEFORE THE FALL." This panoramic photograph takes in numerous cypress trees along a mostly unvisited stretch of the Guadalupe River between  Comfort and Twin Sisters, Texas. I have produced the image in my special archival process on canvas and framed it appropriately in a fairly rugged, yet elegant, dark wood.  The pallet of soft green and muted orange of the autumnal leaves of the cypress trees plays a counterpoint to the hard, textured surfaces of the trees' trunks.

In an "artist's statement" to appear alongside the exhibited photograph I have written:
"Living things— displaying scars of their battle with the elements, and yet ever new with the soft evidence of recent growth and renewal. These are the venerable cypress of South Texas. The Kilpatricks' conserved parcel on the Guadalupe is an extraordinary space where these botanical giants dance with water, sky, rocks, and deer. Although cousins of the evergreen conifers, these goliaths of the Hill Country are just turning from the green of summer to the amber/orange of autumn and will soon drop their leaves, to be swept away by the river below."

BEFORE THE FALL, © Bill Brockmeier, 2013, all rights reserved by the artist

The other photograph I will exhibit in the show is titled "DARK MIRROR" and is the image which juried me into the show. All of the selected artists' juried works will be displayed along with their current project works. I have displayed this image here in previous articles about the "Art and Conservation" project and show. The image is a panoramic view captured at the Pedernales Falls State Park, just after the sun had set. My artist's statement to appear alongside it reads:
"Water and stone constitute the "warp" and "woof" of this unique landscape textile that the Creator has woven in Pedernales Falls. The organic softness of liquid contrasts with and complements the durable and inert nature of hard rock– but in the end the water has its way and changes the face of the stone through erosion. Most visitors to the Park see it in the bright light of day, but I composed this image just after sunset, when the crepuscular light had tranfigured the landscape into a dark garden of mysterious beauty."

DARK MIRROR, © Bill Brockmeier, 2013, all rights reserved by the artist

Both of these photographs are available in very limited editions of only eight photographs each and were produced, mounted, and framed using exclusive archival, museum-grade processes. The full size of both framed works are 48 inches long by 14 inches high. The initial retail price of each will be $700 and when the editions are sold out, no further images will be produced. You can see both of these images in person (and all of the other wonderful art!) at the "Arts and Conservation" show, "Our Hidden Treasures," at the Cibolo Nature Center, in Boerne, Texas (check out these links for the location and details). The show exhibits art works of diverse media (not only photographs!) and will be open to the public from 10 a.m. to 8 p.m. April 12 and 13 (FRI-SAT) and from 11 a.m. to 3 p.m. April 14 (SUN).
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As it often seems to happen I have extended lengths of time when no shows are scheduled, and then suddenly multiple things seem to happen at once.  This has been the case over the past few weeks as I have been preparing for two shows which will be happening simultaneously this coming weekend.  The other show, Boerne Professional Artists' "Parade of Artists," will be happening at the same time— more on that later.


Saturday, November 10, 2012

Unexpected Gold

Growing up in the Midwest, I was absolutely enamoured with the deep pine forests of the Rocky Mountains. I had been born in Denver, but after our family moved to Kansas City we only visited the mountains as tourists once a year. The plains of Kansas and Missouri surrounded my home for a hundred miles in every direction and these were not populated by large forests of any kind, let alone the lofty pine. These evergreen trees were exotic to my young mind and seemed so different than the few hardwoods I was familiar with. The pines were incredibly tall, and rather than spreading broad branches in a horizontal scheme, they seemed to soar straight up into the heavens, their tops even tickling the feet of angels flying "up there."

Another way in which these pines seemed so superior to the oaks, maples, and sycamores I knew was that their "leaves" were made for the long haul. Unlike my lowly hardwoods, which weakly dropped their entire crop of leaves as the weather turned cool in the fall, the ever-green pines had wonderfully exotic needles with which they eternally clothed themselves. Even through the coldest arctic blasts the proud and stoic pines kept their deep green cloaks wrapped tightly about them. Never naked, never shivering in the cold, they seemed to laugh at what the winter threw their way.

BARELY GREEN, © Bill Brockmeier, 2012
All rights reserved by the artist
When I moved to South Texas thirty years ago, you can imagine my surprise when I discovered the "secret" held by the magnificent cypress tree. The Hill Country in which I live is filled with the clear, cold, fast rushing rivers and streams which host the wonderful cypress. These trees nearly always grow at the very edge of the rivers, thrusting their feet and legs– up to their knees– into the fresh water and solid rock limestone bed. Some of these huge seniors are known to have seen over a thousand seasons, and who knows how many floods.

These cypress giants seemed so much to me like the pines I idolized as a boy. They were incredibly massive and tall, as were the pines. This was certainly a "tree's tree" that fulfilled the biblical description of the "Cedars of Lebanon." And the finely divided leaflets seemed so much like the pine's needles. These were clearly in the "evergreen" class of trees. Or so I thought.

BROAD PALLET, © Bill Brockmeier
All rights reserved by the artist
After our first summer in South Texas, with the coolness of autumn descending from the north, we began exploring the Hill Country in earnest. As we approached one of the seductively clear rivers on our journey, I noticed something strikingly odd about it. This stretch of once magnificent cypresses was turning brown and some were already bare and apparently dead. How could this have happened? Was it some strange tree-specific blight killing them in succession? Was some out of control insect species to blame? Had something been dumped in the river and poisoned them? What a tragedy!

As we drove on and came to another river the same depressing scenario appeared at the river banks. We couldn't believe how badly this plague had progressed. We were somewhat deflated as we finally arrived home.

That evening, as I read about the bald cypress in our field manual of trees, I suddenly realized the ignorant mistake I had made. These cypress were NOT the evergreens I had supposed them to be, but were actually classified as deciduous trees! These trees were supposed to drop their leaves each fall. I sheepishly told my wife about the truth I had just discovered.

In the few decades since that time I have come to appreciate the rich gold, amber, and orange show the cypress makes each November. I now actually look forward to this unusual autumn display of deciduous splendor. It is kind of ironic that growing up in the Midwest, where gorgeous autumn trees are the norm, I now live in South Texas where most of the oaks are "live" (nearly evergreen), and this seemingly "evergreen" cypress is one of the few deciduous trees. As a wise man once said: "Go figure..."

Sunday, November 4, 2012

Solitude, Silence, and Stillness

About a week ago I took the opportunity to visit my Art and Conservation project site in the Texas Hill Country. If you recall my posts of the summer, I had been assigned a Nature Conservancy land trust that is located somewhere between the little towns of Sisterdale and Comfort. The trust is situated along a nearly one-mile stretch of the cold, clear Guadalupe River.  This was my first chance to return in a couple of months and I was looking forward to spending nearly a full day there: capturing images and getting to know the place.

I had called and left a message with the landowners informing them of my trip out there. Since they hadn't responded within a day of my phone-call  I didn't expect them to be there, and they weren't. I would have this huge natural gem to myself– I almost felt guilty about it.

I had arrived a couple of hours after dawn. Even though it was well into morning, the fairly high bluff on the southeast bank of the river was still deep in shade and the day seemed younger than it was. The air was crisp and new. 

I drove my truck slowly over the nearly invisible trail on the precipice above the silt plane adjacent to the river. The bank on this side was already well lit by the sun. The sun's beams had not yet illuminated the river itself, still a hundred or more yards away, but I imagined I could see ripples sparkling on its surface. I parked and exited my truck, attempting to close my door without breaking the silence that surrounded me. The only sound I could now hear was the whispering babble of the river in the distance, but perhaps I imagined that as well. 

CYPRESS LANE, © Bill Brockmeier, 2012
All rights reserved by the artist
It is really remarkable when you finally find yourself in a place where silence reigns. No street traffic, no humming AC units, no TVs inanely yakking in the distance...not even an aircraft in the clear blue overhead. It is amazing how the immediacy of life comes to the fore when there are no external sounds to distract you. All of a sudden you feel your own heart beating in your own chest. You can feel/hear the rushing "whoosh" of your blood as it streams through the capillaries of your inner ears. And then you start to "hear" your own thoughts. They become so clearly audible that you'd swear you were speaking them, but then you realize that your lips and tongue are not moving and your mouth is still closed. 

The lack of external sound can also amplify the sense of vision. Magnificent, large cypresses lined the river in front of me and their deep green leaves were brilliantly backlit in front of the yet-dark bluff behind them. Even though a hundred yards off, it seemed I was seeing the finely cut "needles" in perfect clarity and in higher resolution than my eyes were physically capable of. 

COLOR IN THE SHADOWS, © Bill Brockmeier, 2012
All rights reserved by the artist.
I headed down to the river itself after taking a few exploratory photographs from afar. Now at the immediate banks of the Guadalupe I could hear the actual sound of it. The audible sensation of running water is something exquisitely marvelous and magical. I don't believe I could ever tire of it. The hearing of it is, to me, as refreshing and enlivening as taking a long, slow drink of it. My ears drink in the sound of it. 

I continued to photograph throughout the day, moving freely through the conservancy trust. It was not only the lack of man-made sound distractions, but also the total absence of any human contact for seven or eight hours that was refreshing and invigorating. It is marvelously cleansing to be immersed in nothing but the Creator's handiwork. And when you come so face-to-face with His Art, it makes communication with Him that much more immediate and powerful.

Personally, I take great joy in talking with people about my own creative work– hearing what they think and feel about it, and giving them my insight into how the work came about and what it means to me. I believe it is the same with the original and authentic Creator– He, and we, can take great joy in conversing about His work as we experience and consider it. And He will give us insight into how this creation came about and what it ultimately means.

Friday, June 8, 2012

Conserving the Hill Country



A few days ago I had the opportunity to travel to the site of the Arts and Conservation project that I will be undertaking for the next several months. The location is a beautiful and considerable stretch of the Guadalupe River between Sisterdale and Comfort, Texas. The region is classic Texas "Hill Country" with its rolling hills, steep knobs, and rich river valleys with "pecan bottoms." In particular, this stretch of the river is populated by ranks of huge cypress sentinels arrayed below bare limestone bluffs.

Thistles Along the Guadalupe
© Bill Brockmeier

We met with the landowner and conservator of the property who graciously explained to us the layout of their place, and where I might find interesting subjects to photograph. She told us why they had acquired this piece of land and what it has meant to them over the years. They appreciate the unique treasure that they hold and they have made it available to me to convey some of its beauty to others.

I plan on visiting the property over a period of months so I can capture images during different lighting, weather, and seasonal conditions. I will make my first photographic trip to Sisterdale later in June, and will bring you some of the fruits of my efforts here.

Saturday, May 19, 2012

Art & Conservation


I was pleased this past week to open an email from the Cibolo Nature Center and discover an acceptance letter for the 2012-2013 "Our Hidden Treasures" project for their ongoing "Art & Conservation" program. The every-other-year project, which began in 2007, is a collaboration between the Cibolo Nature Center, Cibolo Arts Council, and the Cibolo Conservancy.

The Cibolo Creek watershed and surrounding Hill Country region is not only a treasure to the state of Texas, but is such a remarkable gift of natural diversity that people from all over the nation come here to enjoy its richness.

The "Art & Conservation" project juries applicants from a wide spectrum of the visual arts and then pairs the selected finalists with varous landowners from the region (the image I submitted for the jurying process appears below). The properties chosen for the project are veritable jewels of our natural heritage and this collaboration is aimed at highlighting these spaces' unique and precious gifts through creative expression.

DARK MIRROR, Pedernales Falls State Park, © Bill Brockmeier, 2009
The selected artists will visit the places that they have been paired with over a period of mostly a year and will have the opportunity of experiencing the seasonal changes in the land. The creative focus is on the natural and unique ambience of these places, and a determined goal of the project is to avoid the inclusion of man-made structures and common artist cliches.

I am certainly looking forward to experiencing and expressing the wonder of the place I will visit— a ranch on the Guadalupe River east of Comfort, Texas. As the project unfolds, you'll read about it here.