A Fine Art Opportunity

It only comes once a year– about forty professional artists with regional, national, and international renown, gather at the elegant Cana Ballroom in Boerne, Texas to show collectors and lovers of the arts what they have been creating over the past year. Next weekend, October 16 through 20, the 11th annual Texas Hill Country Invitational will be hosting these artists in the region's most prestigious art show and sale. These artists will be exhibiting works in the media of oils, pastels, acrylics, water colors, photography, bronze, stone, glass, ceramics and jewels. And attendance at any of the events is open and free to the public. 

Many of the artists from last year are returning, but you can also look forward to some "new blood." Dawn del Alamo, a glass artist, and Pam Ameduri, working in mixed 3D media, will be new additions as well as others. Widely known sculptors, John Bennett (2010 Texas State Artist) and Linda Sioux Henley (whose life-size bronze  work appears on the Texas Capitol grounds), will be part of the returning crew. And I will be there showing my own work in fine art panoramic photography. 

For several years now, the THCI has been a highlight of my art-showing year. The atmosphere is electric, the conversation rich, and the art exquisite. On top of these things, this year (and last) the setting has been the elegant Cana Ballroom. This is a true jewel of the Hill Country: a wonderful and spacious art-friendly environment, situated atop the highest hill in Boerne, with a sweeping view of the Hill Country through the northern exposure of a wall of glass. It is a special time to be surrounded by so many superb works of art, while immersed in the natural beauty of the Hill Country. 

The show's events begin with the en plein aire "Paint Out" on Wednesday and Thursday. This event is recognized this year by the prestigious Oil Painters of America, and will host numerous painters creating works in the great outdoors in locations all over Boerne. If you have never checked out a "Paint Out" such as this you will find it an intensely interesting opportunity to watch accomplished artists produce a work of art before your eyes. You can talk to them while they work and ask them about their techniques, philosophy of art, etc. All works produced during this event will be available at a silent auction held at the show's Preview event on Friday. Part of the proceeds of the auction will go to public art in Boerne. 

On Friday, Oct 18, from 7 to 9 pm, the THCI show and sale actually commences with its Reception and Preview. This will be your first opportunity to see the forty featured artists' work and reserve your favorite piece, before some other art-lover "steals" it! The evening will also feature complimentary food, beverages, and live music. At 8:30 the "Best" awards will be presented. This will also be your opportunity to participate in the silent auction of the paintings produced during the "Paint Out." 

On Saturday, October 19, art show and sale hours will be from 10 am – 8pm, and will include a slate of demonstrations and art lectures throughout the day. These demos and lectures were quite a hit during last year's show, with many artists giving considerable insight into how and why they produce their art. Beverage and food trucks will be outside the Ballroom during the day.    

Sunday, October 20, wraps the show up with your final opportunity to view (and buy!) these wonderful works, from noon – 3 pm. 

Do yourself a favor and take the time next weekend to head to Boerne and experience all that the Texas Hill Country Invitational has to offer. 

PS– if you are interested in staying overnight, special hotel rates are available at Fairfield Inn & Suites by Marriott and Americas Best Value Inn— just use the code word "ART" when you call.

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LAVENDER SHADOWS

A few years ago an opportunity made itself known to me to participate in Blanco's "Lavender Festival." A fine art show was attached to the festival and I had been invited to show my work there. The Lavender Festival is usually scheduled for the first weekend in June and is a veritable smorgasbord of lavender-based creations– pastries, candies, sachets, paintings, even wine– any and all things created, with lavender as the common ingredient.

There were crowds of folks as I showed my art that weekend, and Blanco's town square was ebullient. The show was fairly successful for me, and the pieces I displayed were enjoyed and appreciated by many, even those not buying. During a fairly quiet moment in my booth, however, an older lady scrutinized my work but said nothing for quite some time. Finally, she broke the uncomfortable silence: "Hmmmmm...I really like your work, BUT..."

I walked up to her and tried to understand her intentions: "Yes, can I help you? I heard a 'BUT.' Is there a problem?" She responded: "Yes, there IS a problem. I love your work, Bill...BUT...where are your LAVENDER PHOTOGRAPHS?"

With some trepidation, I tried to respond: "Yeah, yeah, I know...this is a 'Lavender Festival' and I have no photographs of lavender. I'd like to have some, but I've never had the opportunity to take any."

"Well, I'll tell you what...I've got a small, private lavender farm just outside of downtown. Here are the security codes to both of the gates that will let you in. Come anytime you'd like and take some photographs. You needn't stop and ask first, or even call ahead. But take some lavender photographs...PLEASE!"

LAVENDER SHADOWS, © Bill Brockmeier, all rights reserved by the artist

About a week later, I and a photographer friend who had recently moved to the Blanco area took up Alice Coverly on her more than generous offer and sought out her farm. The security codes worked as advertised and we soon found ourselves alone and surrounded by her five or so acres of lavender bushes. The light breeze was heavy with the perfume, and the shadows were already lengthening with the sun dropping toward the horizon.

The place seemed an astounding fusion of French Provence and Texas Hill Country– the smell and color of France and the vistas of the Hill Country. Perhaps South Texas is not really that far from southeastern France after all.

The next June at the following "Lavender Festival" I was again showing my work to those seeking lavender in Blanco. This time I was heavily armed with my own lavender offerings. The image you see here– LAVENDER SHADOWS (a very limited edition of only 12 on large canvas)– was made as the sun nearly kissed the horizon. Some of the lush, blooming plants had already been immersed in shadow while others were still in the blaze of sunlight.

As I have shown the two photographs from this series, many have made it plain to me that they believe the photographs are paintings. I've tried to assure them that "No, these are not paintings, but photographs." Some have remained unconvinced, and swear that I must have at least applied some little dabs of paint to some of the blooms to make them stand out and appear 3D. Although I use no digital enhancement to the colors or otherwise, they still find it difficult to believe these are simply straight photographs.

Thanks to a friend of the arts, and a lover of lavender, I was able to make some memorable images of this wonderful plant. Thank you, Alice!

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This photograph is available in a Very Limited Edition of only twelve copies. The full, framed size is 19 by 62 inches.    Call now to reserve yours— 210-241-6132.

Good To Be Alive

It was a spectacular and glorious day in La Villita: the deep emerald leaves of live oaks still basked in the moisture of recent rains, the little centuries-old houses huddled in this unique little neighborhood, and the sapphire sky-vault stretched out above. A breeze occasionally wafted through the courtyard before us, enticing our skin with the coolness promised by autumn.  Even a die-hard fan of South Texas summers like myself revels in the first cool days of September.

Photographs hanging on the front of the San Martin House in La Villita

La Villita ("The Little Village") neighborhood is wonderful in so many little ways: its tight proximity to the Riverwalk community, the authentic historic architecture, the art-aware ambiance, and much more. But what most draws my own affection are the people whom I encounter in La Villita: both those working there and the ones who choose to enjoy its treasures for just a day. In the presence of good company and lively conversation what more could one want? And yet, the day had plenty more. Surrounded by all these blessings it didn't even seem to matter whether the day ahead would be one of record-setting sales for me or none at all.

The San Martin House in July 1939,
when the house was a mere 200 yrs. old

Every once in a while I remember, yet again, that it doesn't matter so much what my own peculiar agenda for the day might be, but the importance of the day, and of life, is in appreciating the thousand simple blessings that permeate each of my hours– each minute, in fact. It can be good to be alive, especially so if we don't just "get by" and survive through it but learn to fully live in it, even in the midst of simply surviving. Gratitude for the amazing gift that life truly is can make our time here, short though it is, filled with meaning and significance. 

As the sun rises, or the moon sets, enjoy the wonder of what surrounds you and thank Him Who gave it all. 

Celebrate Art In Her Garden

IN THE AVENUE OF GIANTS,
© 2007, Bill Brockmeier,
all rights reserved by the artist

You never know where opportunities may come from. I was recently the beneficiary of such when an acquaintance I hadn't spoken with in years unexpectedly contacted me. Sherry Disdier, bonsai artist and long time proprietor of the Bonsai Arbor, emailed me about the possibility of my participating in a La Villita photographic exhibit scheduled to synchronize with Fotoseptiembre USA®, International Photography Festival. Since I had no other shows scheduled for my work during the month of September, I jumped at the chance.

I first met Sherry several years ago when she graciously consented to be one of my subjects in a project I was pursuing at the time that I called a "Celebration of Art in the Garden" (incidentally, this project as well became a Fotoseptiembre® exhibition). This series of panoramic portraits explored the pursuit of arts– in its widely divergent manifestations– in the context of gardens (in their own widely divergent manifestations as well). My portrait of Sherry was a vertically oriented panorama that focused on a relative closeup of Sherry's hands as she worked on a bonsai in her backyard "garden studio." While most of my other photographs in the series merely used a garden as the setting for the pursuit of some otherwise out-of-context artistry, Sherry's art was intrinsically and intimately woven into the very substance of the garden around her. I was blessed to have such a significant and deeply relevant subject for my series.

Sherry's Bonsai Arbor is one of, if not perhaps THE, longest art tenant of San Antonio's oldest art district, "La Villita." She has offered her simply amazing bonsai works, and other art objects, in her La Villita shop for the most of three decades in the historic San Martin/Herrera House #5 along Guadalupe Walk. This coming Sunday (September 22) I will be presenting there one of the largest groupings of my work that I have shown publicly in quite some time. The works I will be showing are nearly all produced in large scale on archival canvas, and whose subjects range from the timeless San Antonio Missions, to the lavender fields of Blanco Texas, to trees of the Hill Country, and beyond.

The Bonsai Arbor is located at 418 Villita Street, Suite 500, near downtown San Antonio (78205). The shop is very near the corner of Villita and South Presa Street (convenient parking is just across South Presa, less than 100 feet away!). The full hours of the show will be about 10am to about 6pm with an "open house" from 12 noon til 4pm. Please check the map for detailed directions.

The La Villita neighborhood itself is an amazing amalgamation of people, art, architecture, history, events, and so much more. Read about its fascinating history.

Come down to La Villita this Sunday and see me and my art...and enjoy the ambiance of one of the unique neighborhoods of San Antonio. And while you're at it, you can try a sample of my "2012 Faccia Del Sole," Hatch chile sherry— while it lasts. This wine that I produced last year is just beginning to come into maturity and is more than I ever imagined it would be. I'll see you there...

Down— But Still Up

My two spring shows, the Arts and Conservation project and the Parade of Artists, have come and gone and I have two main observations. One: the fine-art market is still depressed, and two: the appreciation of fine-art is still alive and well.

As an artist I'd like to believe that fine-art is an intrinsically important and valuable commodity to the general public. But reality and common sense make it plain that it is not as important as things like food, gasoline, and a place to live. Imagine that.

Art lovers visit my booth
at the 2013 Parade of Artists

I first noticed the downturn in my own sales about four or so years ago– the same time that the US and world economies took a heavy hit and have yet to recover. People and corporations alike not only have less cash reserves but are still uneasy where this is all headed. They are loathe to spend money on anything not a necessity. And art certainly falls in that category. Let's face it– fine-art is a luxury good and I don't expect to see brisk sales until the economy in general rebounds to a rosier outlook.

The second observation is that people still have a keen interest in and appreciation of fine-art. At my second show venue I was together with eight other artists. Although I was back in the far corner from the entrance to the facility there seemed to be not only good traffic through my booth, but those coming through seemed to be generally animated and upbeat about what they were seeing.

One young couple, in particular, stuck in my mind as being particularly interested in my work. I spent probably fifteen minutes or more talking with them about the photographs they were looking at. And they were not only interested in the photographs themselves, but wanted to know in detail the background of why I chose the specific artform that is my forte and how each photograph came about. I was almost certain I would make a sale, but, alas, it didn't happen. In the end, however, I was gratified that someone seemed to deeply appreciate my work, sale or not.

Later that night my wife and I spoke about some of the events of the day. She had volunteered (thanks again, "Pootie-Pie!") to act as our wine and refreshments "wrangler" for the two evenings and had been stationed at a different corner of the large room. Her location gave her a different perspective from my own and her perch allowed her to witness the interaction of the show patrons and many of the artists. Before I had said anything she mentioned a young couple (turned out to be the same ones I had remembered) that stopped at the booth of every artist and engaged each of them in extensive and intense conversation about them and their work. She said it was great to see these young people with such an appreciation for fine-art.

Although it somewhat deflated my estimation of the uniqueness of their appreciation for my own work, it still gratified me to see that awareness, comprehension, and affection for fine-art in general is still out there.

For those of you engaged in producing art, but have been discouraged of late concerning your sales, just "keep on keepin' on," because there are still many out there who are interested in what you are doing.

Two-fer One

(click for a detailed map of
the various Parade locations)

Having recently delivered my two pieces to the Conservancy project I am now finalizing selection of the pieces I will be exhibiting in the Parade of Artists, a production of Boerne Professional Artists. This show will also be running in Boerne on Friday, Saturday, and Sunday of this coming weekend. The show will be hosting about thirty professional artists at various locations throughout the city. As most of the members of Boerne Professional Artists are represented in some of Boerne's fine-art galleries, they will be on hand as their galleries host an opening of the show on Friday night, complete with complementary wine and hors d'ouevres.

I am one of the dozen or so so members who are not represented in Boerne galleries, and we will be exhibiting our work on "other walls" at a few different venues in Boerne. I have joined with eight other artists to form a temporary "atelier" (gallery/studio) at the Boerne Chamber of Commerce just across Main Street from Boerne's Plaza. We will also be hosting an opening on Friday evening with wine and food.

The Parade will be an incredible smorgasbord of fine-art, encompassing a diverse spectrum of mediums, styles, and sensibilities. The talent of the participating artists is first-class, and the level of their work is remarkable. Of course, all work is for sale and you are sure to find some piece that you "can't live without."  You will find works of oil paintings, pastels, watercolors, sculptures (bronze, stone, and more), photography, and MUCH more.

Take the free trolley to each
venue on both evenings!

As I mentioned, the opening festivities will be on Friday from 5 to 8PM, and includes wine and food at most locations. The show continues on Saturday from 10AM to 8PM (again with wine and food from 5 to 8PM). Also, a free trolley from venue to venue is available both evenings. It embarks from the Chamber of Commerce on the northside of Boerne (beginning at 5PM) and takes approximately 30 minutes to make the entire route.The show wraps up on Sunday from 12 to 4PM.

Come join us this weekend in Boerne for a great show of some wonderful art, pithy conversation with their creators, and some wine and culinary treats while you're at it.  And don't forget to take a favorite piece home with you, to enjoy for years to come!

Frenetic Activity

Life sometimes seems in a "neutral gear" mode when to all outside appearances nothing of significance is happening.  Then, suddenly, a flurry of activity is upon you and you wonder if you are going to keep up with it all.

As I have mentioned a few times over the previous months I have been visiting a large and special parcel of land in the Hill Country of Texas with the goal of producing at least one work for the "Arts and Conservation" project of the Cibolo Conservancy. Although I have been wondering how it would all turn out, I am pleased with what finally came about through these efforts. The project happens only once every other year so it is wonderful to be a part of this infrequent event.

The work I have chosen for exhibition in the show is titled "BEFORE THE FALL." This panoramic photograph takes in numerous cypress trees along a mostly unvisited stretch of the Guadalupe River between  Comfort and Twin Sisters, Texas. I have produced the image in my special archival process on canvas and framed it appropriately in a fairly rugged, yet elegant, dark wood.  The pallet of soft green and muted orange of the autumnal leaves of the cypress trees plays a counterpoint to the hard, textured surfaces of the trees' trunks.

In an "artist's statement" to appear alongside the exhibited photograph I have written:

"Living things— displaying scars of their battle with the elements, and yet ever new with the soft evidence of recent growth and renewal. These are the venerable cypress of South Texas. The Kilpatricks' conserved parcel on the Guadalupe is an extraordinary space where these botanical giants dance with water, sky, rocks, and deer. Although cousins of the evergreen conifers, these goliaths of the Hill Country are just turning from the green of summer to the amber/orange of autumn and will soon drop their leaves, to be swept away by the river below."

BEFORE THE FALL, © Bill Brockmeier, 2013, all rights reserved by the artist

The other photograph I will exhibit in the show is titled "DARK MIRROR" and is the image which juried me into the show. All of the selected artists' juried works will be displayed along with their current project works. I have displayed this image here in previous articles about the "Art and Conservation" project and show. The image is a panoramic view captured at the Pedernales Falls State Park, just after the sun had set. My artist's statement to appear alongside it reads:

"Water and stone constitute the "warp" and "woof" of this unique landscape textile that the Creator has woven in Pedernales Falls. The organic softness of liquid contrasts with and complements the durable and inert nature of hard rock– but in the end the water has its way and changes the face of the stone through erosion. Most visitors to the Park see it in the bright light of day, but I composed this image just after sunset, when the crepuscular light had tranfigured the landscape into a dark garden of mysterious beauty."

DARK MIRROR, © Bill Brockmeier, 2013, all rights reserved by the artist

Both of these photographs are available in very limited editions of only eight photographs each and were produced, mounted, and framed using exclusive archival, museum-grade processes. The full size of both framed works are 48 inches long by 14 inches high. The initial retail price of each will be $700 and when the editions are sold out, no further images will be produced. You can see both of these images in person (and all of the other wonderful art!) at the "Arts and Conservation" show, "Our Hidden Treasures," at the Cibolo Nature Center, in Boerne, Texas (check out these links for the location and details). The show exhibits art works of diverse media (not only photographs!) and will be open to the public from 10 a.m. to 8 p.m. April 12 and 13 (FRI-SAT) and from 11 a.m. to 3 p.m. April 14 (SUN).

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As it often seems to happen I have extended lengths of time when no shows are scheduled, and then suddenly multiple things seem to happen at once.  This has been the case over the past few weeks as I have been preparing for two shows which will be happening simultaneously this coming weekend.  The other show, Boerne Professional Artists' "Parade of Artists," will be happening at the same time— more on that later.

Après le Spectacle

As in the past, this year's Texas Hill Country Invitational fine art show was a memorable and valuable experience. One of the best components of the show was the opportunity for frequent and extended interaction with the other artists. It's great to be able to hear about what other people are doing in their work, both creatively as well as business-wise.

SHADOWS ON THE SUN, © Chris Gray, 2012
All rights reserved by the artist

As I spoke with Chris Gray, a fairly recent member of the BPA, he walked me through the interesting process he uses in composing his "tribal art" pen and ink designs. When you simply look at the final product of someone's art you can make guesses at the detailed steps they take to make it, but often you are totally wrong. This was certainly the case for the Chris's work.

On the last day a woman came into my booth and had much to discuss with me concerning my photographs. She happened to be a fiber artist and mentioned to me something I might consider for my images. What she had to say was not an entirely novel thought for me, but it certainly dusted off the cobwebs of an old idea I'd had some time ago.

EXPLORATION, © Kay Reinke, 2012
All rights reserved by the artist.

Adjacent to my booth were the displays of Kay Reinke's paintings and her sister Karen Cruce's fine art pottery. I recounted for them the discussion I'd had with the fiber artist, and they both jumped on the "new" idea for making my images available to a whole new set of possible collectors. Their excitement was contagious and I promised to attempt developing the required process over the next month or so.  I'll let you know how this turns out.

And finally, despite all of the wonderful aspects of this year's THCI, there was a darker undercurrent lingering through the three days of the show. It is clear that the economy of the US is not even close to being healthy, as sales of work— my own and others— were decidedly puny. Even though the show itself was absolutely wonderful and easily the pinnacle of what Boerne Professional Artists has produced over the years, people obviously did not come to buy. Fine art is, and always has been, a luxury item. When an economy is down, purchases of fine art are probably the first thing to drop off the budget as not a necessary expense. When fine art sales return then you can finally say that the economy is on the mend.

SUNSET HORIZON, © Karen Cruce, 2012
All rights reserved by the artist

Here's looking to next year's Texas Hill Country Invitational– may it build upon the successes of this year, and add robust sales to boot!

Elegance and Art in the Hill Country

Cana Ballroom, Entrance Tower and Catwalk
© Bill Brockmeier, 2012

The Preview night and opening of the 2012 edition of the Texas Hill Country Invitational was an elegant evening and celebration of the creative arts. The show's venue at the new Cana Ballroom was the perfect location for such a fete. With the panoramic vista of the sun setting beautifully over the Texas hills, the wine corks popped and the crowd buzzed. The grand piano near the lobby served up a musical breeze that wafted through the night air.

The art collectors and lovers who came from across Texas to enjoy this weekend of art were not disappointed. The fine art displayed at the Preview party covered a wide spectrum of media, styles, and subjects. From the intricately executed, but boldly designed "tribal art" of Chris Gray to the sensitively modeled and dynamic western women sculptures of John Bennett, there was something to intrigue everyone. This was a veritable smorgasbord of fine art fare.

Halfway through the evening, the results of the independent judging of entries was revealed. I was quite surprised and pleased to hear that one of my own entries, "Beyond the Stone," captured the award in the photography division. John Bennett's powerful "Accordianist" sculpture was awarded the "Best of Show." Although having been named "Texas State Sculptor" in 2010, John Bennett was visibly quite moved to receive the "Best in Show." John is not only an amazing artist, but a wonderfully humble man as well. Well done, John.

BEYOND THE STONE, © Bill Brockmeier, 2012, all rights reserved by the artist, 1st Place Photography 2012 THCI

On Saturday, the day began with an opportunity for art patrons to gab informally with the artists over coffee and fresh pastry before the show itself formally opened. Then the QuickDraw event witnessed the rapid-fire work of a half-dozen or so painters as they created "instant" works of fine art in the brief span of only 60 minutes. Later in the afternoon, these works would be sold in a live auction to the gathered crowd. These works were so new and fresh, that the new owners had to be careful taking them home so the still-wet paint wasn't smudged. Kind of like getting incredible fresh-baked bread, still warm from the oven.

The afternoon was a rich opportunity for those who attended the many art-related demonstrations and lectures. These twenty-minute segments showcased diverse techniques and offered insight into creative efforts.

Sunday will see the final installment of this year's edition of the Texas Hill Country Invitational. Although all of the other surrounding events are now history, you still have one last opportunity to see (and own) some marvelous creative works. Come out to Boerne, enjoy a beautiful Hill Country October afternoon, and take home something you will treasure for years.

A Weekend of Art

It's October, and the first hints of autumn in South Texas have arrived— last night was our first "quilt night" and this morning was our first occasion to fire up the heater. And this means that the Texas Hill Country Invitational is just around the corner. I always look forward to this show, and in many respects it is the highlight of my artistic year.

This year promises to be even more of a highlight as I and my colleagues of Boerne Professional Artists are making great strides to move this art show from a regional classic to one of national significance.  Previously, the art show itself was the singular wonderful event of the weekend. For the 2012 edition we have added numerous associated events to the line up.

JOYOUS APPLAUSE (fragment), © Bill Brockmeier, 2012

The weekend of art happenings starts on Friday morning with a "Paint-out." This is a collection of fine art painters who will be stationed throughout the city of Boerne– downtown  the plaza, the Heart of Boerne Trail meandering along the Cibolo Creek, etc.— and who will be painting "plein aire" (on-site) some wonderful scene before them.  This is quite an interesting treat to be able to observe an accomplished painter do their creative work. And as you walk throughout Boerne you'll be able to see multiple painters working in quite different styles, mediums, and so on. These works will be completed during this one day and then will be hung as a collection on a separate wall for the entire weekend of the show. During the show you'll be able to bid for your favorite in a "silent auction," with the results to be made known Sunday afternoon.

Friday night will see the opening of the fine art show itself at the posh new "Cana Ballroom" behind Saint Peter the Apostle Catholic church atop the hill on Main Street.  This night is billed as the "Preview Show" and is a ticketed event which will feature wine, catered hors d'oeuvres, live music, and most importantly, your exclusive first opportunity to select your choice of the incredible new work that is being shown for the first time by these top-notch artists. The event will be semi-formal-South-Texas, so put on your new blue jeans, shine yer boots, press yer best shirt, and don't forget yer steppin' out hat! If you'd like to obtain tickets, you can call or email me.

Cana Ballroom, © Bill Scheidt, 2012

In past Texas Hill Country Invitationals, a single, highly respected artist from outside the Boerne area has been invited to the show.  This year, we are expanding the invitation to eleven invited artists from across Texas.  Including the Boerne Professional Artists members who will be there, the show is featuring the new work of nearly forty fine artists who work in a host of various media: oils, acrylics  watercolor, pastel, bronze sculpture, stone sculpture, photography, ceramic, and fine art jewelry (I hope I haven't missed someone!). You are sure to find something intriguing.

Saturday morning really ramps up the art weekend with the public opening of the show with a "Breakfast With the Artists."  This is your opportunity to enjoy a pastry and coffee while you chat informally with the artists on the patio outside the ballroom. The patio has a wonderful view overlooking the Hill Country and downtown Boerne. This is a great opportunity to ask the artists about their work, and "what makes them tick."

The Patio, © Bill Scheidt, 2012

The morning then continues with another exciting art adventure with the THCI "Quick-Draw." If you have never attended one of these, you are in for a treat! The dozen or so artists who have entered the event will have only one hour to start and complete a finished work of art. You will have the opportunity to observe these amazing artists work at a fever-pitch. The artists will participate in several painting mediums as well as sculpture. Immediately after the event, each of the artworks will be auctioned off to the highest bidder, and you will have the opportunity to go home with a piece that you actually watched being created— from start to finish!

After the Quick-Draw, the main event of the Texas Hill Country Invitational begins. The show will extend through all of Saturday and through Sunday afternoon. These professional artists are known for their work far beyond Boerne and will be showing some of their newest work— most of which has not been seen before by the public. You will also enjoy talking with each of the nearly forty artists who will be able to fill you in on the details and background of the works you will be seeing.

While the show continues Saturday afternoon there will be numerous art-related lectures and demos in the ballroom to provoke your interest and deepen your understanding of art. These events will be produced by some of the artists in the show, as well as others from outside the BPA.

All in all, this promises to be by far the best and most amazing Boerne Art Weekend ever, and there will be something to keep you interested all three days. Make plans now to travel to Boerne and immerse yourself in what is coming to be known as the "Little Santa Fe of Texas!" 

Check here for a posting of the detailed schedule of times for the events I have mentioned above.

The Ties That Bind

During an extended break in my recent jury duty in district court I remembered that a Fiber Art exhibition had been showing in the downtown gallery in New Braunfels. I made my way down there and was extremely gratified to find out that it was still on display.

FUCHSIA NECKTIE
© 2012, Nadia Kahn
photograph © 2012, Bill Brockmeier

Several years ago, the gallery had hosted a similar show and it was one of the most creative displays I had seen at the gallery. I believe this current show has topped that one. The exhuberence and passion these twenty-two artists have for their medium of choice is obvious in the works they have produced.

The range of style, approach and technique shown throughout the show is remarkable. There are small scale but serious works, like seen in the vertical showcase housing an incredible array of birdnest-like baskets. The colors, textures, and details displayed by this collection is wonderful. And then there are large, elegant, and thought-provoking works like the huge, vertically oriented silk design wafting in the breeze of the overhead fans.

While fiber-based works are not at the top of my mind when I think of creative pursuits, whenever I have the opportunity to view some serious examples I am always impressed by the possibilities. It's astounding to realize how this media can cover much of the same ground as painting, sculpture, architecture, and even photography. On top of that, you can even wear some of it!

The Feminine Thread

Though most of the works in the show are abstract creations meant to be displayed by hanging on the wall or standing on a table, there are certainly many that were made to be displayed on the human body. Of these, the great majority were scarves, hats, jackets, and dresses that were clearly intended to compliment the feminine form. And I suppose that is as it should be. Of the twenty two artists showing their work there, every one of them is a woman. Of course, not every single fiber artist in the world is a woman, but there does seem to be some sort of natural bond between the feminine psyche and the "thread."

SPOTTED RED NECKTIE
© 2012, Nadia Kahn
photograph © 2012, Bill Brockmeier

The sculptural qualities of these garments are quite remarkable. Even as static sculptures draped upon abstract manniquins in the show they are very dynamic in their form.  I can only imagine how truly dynamic they would be, draped upon a living, breathing, moving woman of flesh, and sinuously waving in the currents of air as she walks down the street.

The Masculine Scarf

Not every item of apparel in the show was intended for the feminine form. There was a trio of neckties that caught my attention. Even if not worn on the body these ties could be marvelous abstract paintings, worthy of framing and hanging on a wall in a place of prominence.  Their colors were sumptuous and their designs intruiguing. On top of that, they were fabricated from silk, insuring a tactile sensation satisfaction.

I'm a sucker for the feel of certain fabrics. Some of my earliest treasured memories (before I entered school) are times that I accompanied my mother to the various fabric stores she frequented. I loved leaving her behind as she scouted the store for some specific need. I would find my own adventures among the endless aisles of bolts of fabric that towered above my four year old frame. The colors and patterns alone were amazing enough to the sensation-sponge that was my mind, but what really hooked me was the way these fabrics felt to my little fingers and face. I couldn't help but touch them. To this day I can't go into a fabric store and only look.

Like the majority of men these days (at least those born post-mid-twentieth-century) I was not at first a fan of the "noose."  I viewed neckties as not-quite-necessary evils to be endured only once or twice a year, and I would avoid that if at all possible.  But several years ago I began to see them as something else. They seemed to have become such a rarely worn item around a man's neck that they have now transcended what they once were– a required uniform of drudgery– and are now a new freedom, offering a unique and refreshing opportunity for a man to wear art.  A generation or two ago, our culture afforded only women the common luxury of being draped with beautiful designs and creations.  Now men can just as easily (though maybe not as naturally) don the beautiful.  (...and if you need to learn how to tie a necktie, check out these manly videos...)

So, I paid for the two ties whose colors I especially appreciated and told the gallery docents I would be back to pick them up at the close of the show. I am looking forward to wearing these ties at the Texas Hill Country Invitational show in which I will participate the third weekend of October. Come see me there, and I might even let you touch my tie!

By the way— the beautiful neckties I now possess (and illustrated above) were painted by Nadia Kahn, an incredible silk artist whom you can contact at: NadiaKahnSilks@gmail.com

Artastic!

This next Sunday (May 6) it will be my pleasure to offer my photographs for public viewing and sale at the annual Artastic! art show and sale near downtown San Antonio. This show is an event hosted and produced by the Sisterhood of Temple Beth-El. Founded in 1874, the synagogue is the oldest in South Texas. The one-day show runs from 10:30am to 4pm, and Temple Beth-El is located at 211 Belknap, San Antonio 78212.

Temple Beth-El in San Antonio, TX

This show always hosts some very interesting and unique artists, from my own fine art panoramic photograpy to unusual cameo jewelry to incredible millinery art (hat/headgear creation taken to the level of beautiful and wearable sculpture). There are over thirty displaying artists, and as usual, admission is free. 

As well as the opportunity to view and purchase some outstanding art works and speak with their creators, there will also be marvelous food creations for purchase (and consumption!). 

Come see me and the other wonderful artists at Temple Beth-El this Sunday. 

And don't forget—

—make sure you have registered with my email subscription list to this blog ("Follow Bill by email" box to the right and below), as I will soon be drawing a name at random from this list to receive a free archivally produced panoramic photograph from my "wildflowers" series. The drawing will be held this month, so be sure you don't miss out!

The Presence of Beauty and Truth

My recent exhibit for the Parade of Artists show in Boerne was a wonderful success. I had the distinct pleasure of conversing with great folks from the Hill Country region, and from as far away as Washington, Michigan, and Cape Cod. It's always stimulating as an artist to not only have the opportunity to talk with art lovers about my work, but also to hear their own responses to it and engage in some deep, thoughtful interaction. Some of my conversations with them were totally unexpected, and surprising in their depth and significance.



It's also great to see some of my work going home with people who have appreciated some of the same things that I appreciate. When you are able to make this kind of connection with people it is a special event.

One young man came into my exhibit early Saturday morning and sort of woke me up with a "simple" question: "Do you try to convey any message with your art?" The question somewhat startled me, and I began to stumble through something of an answer to his question. Pretty soon, though, the conversation took a decided turn away from the "small" (but deep) universe of aesthetics and the meaning and purpose of art. We eventually found ourselves wandering down an entirely different conversational street of profound relevance to both our lives, but of even greater significance than the relatively ephemeral nature of art. We were both blessed to have received such a gift.

Art has an amazing capacity to speak to and from the deep recesses of people's minds and hearts. And it is not simply an end in itself, but can be a gateway to those things that really last, and really matter. I hope to remember this as I go about my work of attempting to capture the presence of beauty and truth.

Parade of Artists, 2012

This coming weekend promises to be a wonderful time of getting to know professional artists and their work. For the second time, I will have the opportunity of participating in the Boerne Professional Artists' annual Parade of Artists.

This event will take place at multiple venues throughout downtown Boerne, Texas on April 13-15, and there is no charge for the event. The basis for the Parade is an "open house" of sorts for many of the several galleries in Boerne who will be hosting the works of many BPA members. There are also several "other venues" around town that will be hosting the works of other BPA members.

Some of Bill's work in the Limestone Grill/Ye Kendall Inn

Last year, I had the pleasure of showing my work during the Parade at Ye Kendall Inn/Limestone Grill, at the end of Boerne's main Plaza, just off Main Street. The management of the historic and landmark Inn so appreciated my art that they invited me to show my work there indefinitely. My work hangs in the limestone-walled fireplace room between the Grill and the Inn, where I change it out every several weeks. I will be on hand the entire weekend to speak with you about my work and anything else that might interest you.

For the Parade event, all artists (there are over 30) will be at their respective venues to discuss their work and engage in generally enriching conversation. All work shown is also for sale, and some wonderful pieces will be going home with their new owners. The fine art that will be available is first class, professional work and will encompass oil, acrylic, and pastel paintings, sculpture, photography, ceramics, and mixed media.

The Parade begins with Friday's "Art Collectors' Preview" evening from 6 to 9PM. If you want to find that "special piece" and reserve it before most of the public arrives Saturday and Sunday, don't miss Friday evening.

Saturday's Parade will extend from 10AM to 8PM, and is a collaboration this year between the Parade and Boerne's Second Saturday Art and Wine, so many of the venues will also offer complimentary wine or other beverages and hors d’oeuvres from 4 to 8PM (during this time, a free trolley will also pickup and deliver patrons to and from all venues).  <<<see artists Donald Darst and Pamela Gardner talk about it on Great Day SA>>>  Sunday will wrap it up with open hours from 11 to 5PM. Brochures (including a map to all the venues) are available at all of the venues, and at most other businesses in downtown Boerne. Or, you can print out the map below.

Come out to Boerne this weekend and enjoy seeing some marvelous art, and talk directly with the artists who create these pieces!

Parade of Artists, location of venues
Bill Brockmeier is at Ye Kendall Inn, #16

Also— don't forget that I will be drawing the name of someone from my email subscription list who will receive a free fine art panoramic photograph of mine. The winner will be able to choose one of four photographs in my wildflowers series. If you aren't yet on my email subscription list, you can easily sign up in the box in the right sidebar ("Follow Bill by email").

Opportunities

The Lady Bird Johnson Wildflower Center in Austin, Texas (and part of the University of Texas) was an exceptional venue to host the recent art festival there in which I participated. The architecture, the landscaping of native plantings, and the Central Texas springtime in the air were marvelous. And the camaraderie of my creative sisters and brothers who participated in the show was certainly stimulating.

I would like to thank the multitudes of art patrons and enthusiasts who visited my exhibit over the weekend, many of whom are now brand new readers of my blog here. These folks were not only highly encouraging of my work, but had some superb aesthetic insight into the specific pieces I had displayed. It is wonderful to have the opportunity to share such diverse artistic thoughts, opinions, understanding, and conversation.

I must say that I was somewhat overwhelmed by the extremely positive response I received from the hundreds of people who spent significant time in my booth. The most frequent comments that I heard over the two-day show were: "These are gorgeous!"– "...stunning!"– "...incredible work!" While I certainly appreciated these comments, I was humbled by their intensity and volume, as I realize that what they were really admiring was the stunning beauty of the natural scenes themselves that I had hoped to capture in some small way.

My Exhibit Before the Crowds Arrive,
Lady Bird Johnson Wildflower Center, MAR2012

This thought is driven home even more forcefully as I remember many of the people commenting that the photos looked "incredibly three-dimensional" and that "...it seems like I am looking right out a window at a field of flowers." This makes it absolutely clear to me that the subject of their appreciation was, in fact, the beauty of the Creation itself. As much as I would enjoy to receive these accolades myself, I must pass them along to the Creator, Who not only brought about the specific beauty of these natural locales, but Who is the ultimate Author of Beauty itself.

The show was a couple of very long days of mostly standing on my feet and talking with hundreds of people (maybe more than a thousand?), but overall it was rewarding on many different levels. I definitely look forward to seeing these folks again next year!

To Celebrate Spring!

This spring, some lucky person will receive their choice of one of four fine art panoramic photographs shown below from my "Oceans of Flowers" Texas wildflowers series. The winner will be drawn randomly from my blog's email subscription list to receive the photograph.

If you have not yet subscribed to my blog updates by email (and you can only do that here), you can do so by simply typing your currently valid email address in the "Follow Bill by Email" box in the right sidebar of this blog (don't forget to click on "Submit"). Or, you can click here. A verification email will then be sent to your address— when you receive it, just click on the link provided to verify you have received it. This will add you to my subscription list.

As a subscriber you will receive very brief excerpts of new articles I write for my blog. I take my readers' privacy and security seriously, and this email subscription list will never be made available to anyone else.

Remember, you won't have the opportunity to win the drawing if I don't have your email address. Good luck!

LAGOON OF BLUEBONNETS, © Bill Brockmeier, 2012, all rights reserved by the artist

PRIMROSE LAKE, © Bill Brockmeier, 2012, all rights reserved by the artist

SEA OF COREOPSIS, © Bill Brockmeier, 2012, all rights reserved by the artist

VERBENA SWELL, © Bill Brockmeier, 2012, all rights reserved by the artist

These photographs have been produced to my usual archival standards, printed on extra heavy archival matte paper (about 8" by 40") using state of the art pigment-based printing processes.

In the Midst of Wildflowers

Lady Bird Johnson Wildflower Center
Austin, TX — March 17-18, 9-5pm

The past few months have seen the Texas Hill Country abundantly blessed with sweet rain from the heavens. Although not all of the effects of a year and a half of extreme drought have been assuaged, the rainfall has been more than sufficient to insure a more than average wildflower season. This is reason enough to make a trip to the Hill Country, but while you are there, please plan to visit my exhibit at the marvelous Lady Bird Johnson Wildflower Center in Austin. I will be back again for the Center's annual springtime Artisans Festival.

This is my third opportunity to exhibit my fine art panoramic photographs (I will be indoors in the Visitors Gallery again) alongside other fine artists from all over Texas and beyond. The Wildflower Center is a fine setting for enjoying such an incredible collection of art and a wonderful place to spend most of the day. The Center's architecture, walking paths, and magnificent display of Texas wildflowers and native plants is a great reason to make the trip, but the opportunity of finding some truly special art works and taking them home should make it mandatory.

Visitors Gallery at the Wildflower Center
© Lady Bird Johnson Wildflower Center

The Tower at the Wildflower Center
© Lady Bird Johnson Wildflower Center

At the show I will have new work that has not previously been seen in the Austin area. Be sure to make plans to visit the Center and to see my work. I'll see you there!

Also, check my blog again between now and the show, as I will be revealing details of a wonderful opportunity you may have to own some of my work, gratis! And if you haven't yet signed up for an email subscription to updates to this blog, please do so in the "Follow Bill by email" box at the right.

Two Thumbs-up!

The 2011 Hill Country Invitational show was a very satisfying and productive venture for me. I have had the opportunity to place four new images of mine before a large gathering of people who care a great deal about serious art- and they have given me an overwhelming "thumb's up!"

A New Art Venue in Boerne

The Boerne Professional Artists group held its annual spring show— the Parade of Artists— last April.  This exhibit is always a very intimate look at the work of each of the participating artists.  Most of the artists in the group have a local Boerne presence (galleries, etc.) where there work is presented to the public on a permanent/continual basis.

Like-Minded Artists in Boerne, TX

Late last year I was granted membership alongside some well-known and quite accomplished artists in the Boerne Professional Artists group.  Previously, my association with them had been being invited by them twice to their wonderful fall show of fine art, the Hill Country Invitational. This show had, both times, been a marvelous time for me, not only because it had always been a financial success for me, but also because I had a thoroughly enjoyable time those weekends.